Putranto, Hendar (2012) Humor Sebagai Pengalaman Estetis Penerapannya dalam Studi Kasus Stand-Up Comedy Indonesia (SUCI). Ultimart: Jurnal Komunikasi Visual, 5 (1). ISSN 1979-0716
Full text not available from this repository.Abstract
Humor, as a praxis, is already practiced in Indonesian society, by and large. Nevertheless, it is rarely discussed amongst academician or analyzed in serious academic fashion or published in credible academic journals in Indonesia. This paper is an initial attempt to bridge such gap, first of all by reintroducing three big theories of humor already discussed and debated in western academic (philosophy, linguistic, psychology) circles. Secondly, by highlighting and analyzing the term aesthetic experience. Afterward, by combining theories of humor with theory ofaesthetic experience, it will be shown two things:(1) how humor could be perceived as aesthetic experience, and (2) how humor can be classified as aesthetic and non-aesthetic humor. Thus combined, it becomes an analytical tool for dissecting a case study of recent phenomenon of stand-up comedy in Indonesia. With careful observation, I will argue that in some cases of stand-up comedy (such as stand-up comedy programs aired by Kompas TVand Metro TV), aesthetic experience is no longer experienced as a” l’art pour l’art,” but rather, a mixture ofaesthetic with utilitarianfunction andfinancial motif.
Item Type: | Article |
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Subjects: | 700 Arts and Recreation 700 Arts and Recreation > 790 Outline of Sports, Games and Entertainment 700 Arts and Recreation > 790 Outline of Sports, Games and Entertainment > 792 Stage Presentations (Ballet, Stand Up Comedy, Dance, Opera, Pantomime, Theater, Musical Plays) |
Divisions: | Faculty of Communication > Strategic Communication |
Depositing User: | Administrator UMN Library |
Date Deposited: | 18 Nov 2021 02:21 |
Last Modified: | 18 Nov 2021 02:27 |
URI: | https://kc.umn.ac.id/id/eprint/19113 |
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